All this wool

I had grand plans, this spring, of spinning up all of last year’s fleeces before the new ones were even shorn. Needless to say, that didn’t happen, but I came closer than ever before. It’s such a learning curve, this spinning hobby of mine. The first two fleeces I was given – lovely piebald Jacobs’ – took me a full two years to work through. Last year I was given three more: two Scotch mules and a huge sack of what turned out to be alpaca. So when I found myself with half a fleece still to process when offered this year’s shearings, I wasn’t too downcast. I think I’m making good progress.

Progress is a good thing, as I’ve been offered several fleeces this year. Two are from my aunt who lives outside Edinburgh and has all sorts of rescue animals, including Ilse’s favourite goat. My sister Meg has eight sheep now, and I was offered four of their fleeces (four are this year’s lambs’, and will keep their fleeces against the coming winter). Two were absolutely enormous, with more than a year’s growth, and, to be entirely honest, more than I could handle. The other two were beautiful Shetlands, one mottled grey and one brown, or moorit, as I’m learning to call it. They are so small and light in comparison to the last three fleeces I’ve had that I made short work of washing and drying them in the good weather of last week.

Since those first two fleeces, which came from a commercial meat farm and which I washed, section by section in buckets of hot soapy water, I’ve adopted a far less intensive approach. Given than all my fleeces now come from either my sister or my aunt, both of whom care for their sheep with minimal (if any) use of chemicals, I much prefer to soak them in a bathful of cold water for a day or two, changing the water once or twice. The amount of dirt that drops out of them is extraordinary, but more importantly the suint (sweat) washes away, leaving a sweetly sheepy smelling fleece with ample lanolin for easy spinning. Then I pop them in an old pillowcase, spin them in the machine, and spread them first outside then finally inside on one of our airers to make sure they are completely dry before putting them back into the (washed) pillowcase with a couple of lavender bags for storage. I can’t tell you how much labour this has saved, and how much more I enjoy carding and spinning a fleece while it is still a little greasy.

I also used to process each fleece bit by bit, picking and carding and spinning and setting each couple of skeins before moving onto the next, but I don’t do that any more, either. Instead, I wait for a fine day and spend it sitting in the garden, picking the washed fleece open and discarding any bits of vegetation or nubbly second cuts. Most of the dirt falls out at this point, and I’d rather it fell outside. If the weather is kind, I card outside too (you should have seen the clouds of dust that came from the alpaca – no way was I carding that in our house). And I save the spinning for rainy days, with a film or an audiobook and one or two of the children for company, playing alongside with their own projects.

I’ve also learned a lot about spinning this year, moving on from carding and worsted-spinning everything (I made a cardigan so sturdy that it can almost stand up by itself) to combing for socks, chain-plying for strength, and spinning long-draw for jumpers and hats and mittens. Not only does long-draw spinning result in the softest, loftiest, cosiest yarn, but it’s fast. Or at least as fast as any (sheep) back to (human) back jumper can be described as such, which is probably very slow in non-spinners’ eyes.

Finally, I set the twist and give it a proper wash at the same time with a bit of eco-friendly delicates liquid, before labelling it and, usually, knitting with it immediately. I’ve made quite a bit from my own yarn this year: two pairs of socks (one woolen and one worsted, to experiment) a pair of sturdy (ahem) colour work mittens for my aunt, a surprise for another aunt (more of which in a later post), the softest, warmest and most beautiful Georgetown cardigan for myself, a cardigan for Ilse, and am halfway through a jumper for myself or Fliss from this last fleece. I plan to spin up the final rolags today and take all the wool on our last holiday of the summer to finish it off.

Ilse in particular has been fascinated by the possibilities of dyeing, and has just finished carding a basket of rolags from fleece that we kettle-dyed in the spring. I’ve promised her that I’ll spin that too, before our holiday, so that she can bring her crochet with her. There’s a big bag of avocado pits and skins in the freezer, just waiting for a spare white skein, and I can’t wait to try dyeing with elderberries for a pillowy purple-grey cloud. I suspect these coloured skeins – and any others that we make – will end up as colour work in something or other, against some plain white fleece.

Not all leftovers are dyed, though. When I didn’t know what to do with my first, inconsistent spins, I started crocheting a hydrangea blanket, which has turned out to be wide enough for a double bed and serves as a record, of sorts, of my spinning ventures. There’s a bit of everything in it: wool and alpaca, DK and aran, wobbly adventures in long-draw and neat inchworm chain-ply. One day, in about a million years, it’ll actually be long enough for a bed, too. So that’s where all the leftovers will continue to go: into a blanket that probably looks lovely to no-one but me but which tells the story of all this wool.

Craeft

I went to see Alex Langlands speak about his new book, Craeft, as part of York’s Festival of Ideas. John booked my free ticket as a surprise, knowing my abiding love for Tales from the Green Valley, the predecessor of the BBC Victorian Farm series. (Actually, John appeared as an expert in one episode of Wartime Farm, which is a source of much pleasure and not a little envy to me…)

The talk began with an investigation of the word craeft, which Alex explained is more to do with power than skill. In a pre-industrial, pre-consumer age, this makes sense. To engage in craeft is to exert power: over the landscape, raw materials, the very climate itself. Craeft is a transformative power in its own right, but also requires our physicality, our vitality, to drive the process. In turn, both the skills of the craftsperson and the products that ensue result in yet more power, further shaping the landscape, both agricultural and political.

Having listened to Alex speak about making use of the world around him, sourcing free materials from the landscape and squeezing his passion for craeft into his spare time, I was surprised by some of the questions people asked. Don’t you think, asked one member of the audience, that to engage in craeft presupposes a certain level of privilege, in terms of time and money? And although Alex dealt with this well, it was a recurring theme.

Once home, I raised this with John. For me, craeft is the opposite of consumption. I keep a list of the things I buy for projects, and it is ludicrously short. The odd ball of wool, when I know I can’t spin to that specification. Two or three lengths of Liberty lawn, a much savoured part of a trip to London. Thread. Always thread. The odd packet of seeds, although I save and swap as many as I can. The vast majority of what I make with comes completely free, either as a gift, salvaged from other people’s cast offs, or gathered from the natural world. Once people know that you make things, they send all sorts your way. I have my entire family saving old shirts and keeping their avocado pits in the freezer. Last week my aunt texted me to say that she had two freshly shorn fleeces ready and waiting. Another aunt, Fiona, taught me to make baskets one rainy afternoon in Derry. But it comes from further afield than family. There are guilds of craftspeople desperate to share their expertise. My spinning wheel, which I think must date from the 1960s, was a gift from a woman I’d never met, who wanted to pass it on to someone who would use it. Craeft in public and people will stop to share tips with you. And when I do spend money, I spend it on high quality materials and tools that will last and last. All my patchwork is done on a 1916 Singer, bought from the charity shop down the road for £20. Not only does it sew smooth and straight, but it is quiet and beautiful and easily repaired. To see craeft as consumption is, I think, to miss the point.

It is the difference between spinning from prepared, dyed top, and being given a slightly stinky fleece in a old feed sack, dags and all. In the first case, you can choose your method of spinning. With a raw fleece, though, you get to make all the choices. How aggressively are you prepared to skirt it? Are you going to scour it, cold soak it or spin it in the grease? Will you blend the fibres from across the fleece or spin each section separately, to preserve their distinct qualities? Should you card it or comb it? Spin woolen or worsted? How and when might you dye it? Both are examples of spinning, yet one clearly involves more power, more control.

The other issue is that of time. It wasn’t until we had two children and a third on the way that I began to make making a part of my everyday life. At the very point when I had the least time, the act of making became more important than ever. It keeps me sane, having something in my hands. Craeft isn’t something special, kept for days when John takes all the kids out of the way. It is a part of our everyday lives, undertaken while I’m waiting at the dentist, or for the potatoes to come to the boil. And rather than children being a barrier to craeft, they are a reason to engage in it more often. So much of our making is done alongside one another: one project inspires another and another until, in little pockets all over the house and garden, things are being made, and everyone is at peace.

Having said all that, I think that our different attitudes to craeft run deeper that our perspectives on time and money. There was much discussion of lost crafts – of the fear that we are not training people in certain skills so that, in ten years’ time, we may no longer be able to mend clocks or engineer a cricket ball. Yet I think that we are in danger of losing something far more fundamental. It is an issue of phenomenology as much as skill. To be a person who engages in craeft, in the true meaning of the word, is to adopt a certain schema. It is to look at the world in a very particular way, one which sees it as something malleable, something both transformative and to be transformed. It is, in short, to have a different sort of relationship with the world. To see the potential in every thing, not just in classes and courses and kits, but in weeds and animals and hedgerows. It is to go for a ramble and bring back not just lungfuls of fresh air, but pockets full of fallen lichen for dye, bits of fluff for lighting fires, a bit of wood to be carved, dogwood to add colour to a basket. To walk not through a picture postcard of a landscape, but a living, creative world.

This is what we are in danger of losing: the zeitgeist that craft is for everyone, by everyone, for the good of everyone. That it is ordinary and everyday. That there is beauty in the simplest of things, well-made and well-loved. And that all you need to get started is the willingness to try.

Madeleine

PS What do you think about craeft? How important is it in your life? How do you think we can best encourage others to participate in its resurgence?

Welcome, rain

On Friday afternoon, the sun shone and the air grew so thick that I abandoned all thoughts of cooking. Indoors, the couch and my knitting were beckoning, but instead I stayed on the patio, picking my way through another batch of fleece before carding it, ready for spinning. The thing is, you never know whether this will be the last day of sunshine for a long, cold while. So while the sun shone, I carried on with the dirty, outside tasks, like pulling the mucky tips off the wool and watching the dust fly as it moved from carder to carder.

Over tea – thank goodness for ready-roast chickens and shops within an easy cycle – I doled out jobs for today. Not a lot, just a little help from everyone, please. Strimming for Ben. Tying up the peas and beans for Seb while Fliss staked the fast-blooming alstroemerias and my new freesias. Ilse was to help me water and plant out the cucumbers and courgettes – the very last things to go into this spring’s veg patch – while I weeded it all and John made his usual rounds at the butcher and greengrocer’s on the market. A typical late spring Saturday morning.

And then on Saturday it rained, on and off all day, so that instead we found ourselves in the kitchen. A kettle on the Rayburn for endless mugs of tea, and more buttery crumpets smeared with Marmite as each new sleepy head emerged. Fliss stitched away at her old ballet skirt, embroidering it with golden swirls for a fancy dress costume. Seb appeared from the garage with a big stick and his knife, as well as the promise to work over a spread of newspapers. Ilse was colouring, and Ben rummaged through the spice drawer as he and John planned our meals for the week ahead. It’s the first time in ages that we’ve been in just one space, together, for so long. In the spring our house doubles in size as we spread out, away from the fires, into bedrooms and right down to the end of the garden to make much-needed repairs to winter-ravaged dens. But yesterday we all stayed together, held no doubt by the gentle warmth of the cooker and all five episodes of Death on the Nile, one after another, on the radio.

As for me, I worked on the knitting I’d been so keen to get to the previous day, which is a pattern I’m developing for the autumn. I got through all the counting and onto the easy stretch before Poirot solved the murder, which was satisfying. The rain let up, just a little, after lunch, so that I could run out and plant the freesias that my dad had bought me on Friday, staking them against the weather. And then, later, there was Paddington to watch again and, best of all, a pile of rolags ready to spin from that sultry afternoon the day before. There’s a time and a place for everything, you see. Tasks for sunshine and tasks for rain. That way, whatever the weather, there’s a way to make it welcome.

Madeleine

Hello, from 2018

Blogging as Cecily Graham used to be perfect for me. It’s tremendous fun, reimagining your life in a different era. I don’t think I’ll give her up entirely – the thirties is still a time I look upon with so much fondness, probably because so many of my favourite novels were written then. But after two years the format became somewhat limiting. There were things I wanted to write about that simply didn’t exist in the thirties. And there were elements of me that a nineteen thirties wife and mother simply couldn’t portray. Much as I love the era, I love the opportunities and freedom of the present even more.

Even so, I didn’t intend to stop blogging quite so abruptly, and for that I do apologise. I kept meaning to write a farewell post but never quite found the words. Quite a few things happened last August – nothing bad, I assure you – and as life morphs I find my horizons shifting. The world gets bigger every year, it seems, with new opportunities and more time to explore them.

I did miss this space, though. I missed curating this tiny corner of the internet, celebrating brief moments of Cecily’s days. Recently, reading through old posts, I was surprised by how much I’d forgotten. We did a lot of lovely things over those two years. We’ve done more since, and although I’m sorry that I didn’t share them here it was right, because a break and a change were in order. As Cecily’s voice felt increasingly limiting, I was gaining confidence in my own. It can be quite a frightening thing, putting yourself out there on the internet to be seen and judged by others. I’m always impressed by people who do that from the off. It’s taken me two and a half years to make that decision.

Rather than write a biography, I’d just like to set a few things straight. The rest will doubtless emerge bit by bit, but I don’t want people to be confused. Like Cecily, I am married but I have three children, not four. I always wanted four and so indulged Cecily in that regard. However, I’m going to keep writing about all four children as I found it an effective way of including what my kids were up to whilst muddying the waters enough to keep their lives truly private. I’ll also keep referring to my husband and other people by their fictional names. I work part time, and though I love my job I won’t be writing about it here. We live in York, and are lucky enough to have a house with a big garden for the hens and the veg patch and so forth. It’s my little bit of countryside on the edge of the city.

In case you’re wondering about the knitting in the photograph, it’s a Georgetown cardigan, knit out of my own handspun alpaca. (It still gives me a thrill to say that.) It’s lovely and soft, and a straightforward knit which is just what I’ve needed over the past couple of weeks. But I’m hoping to get it off the needles soon, in order to get back to another project that I can’t wait to share with you.

Which only leaves me to thank you from the bottom of my heart for coming back to read this post, and beg your forgiveness as I update the website and emails over the next couple of weeks. I’ve got lots and lots to do, but it’s so good to be back.

Madeleine x

Whirlwind

Oh my. Turn your back for a moment and the pile of craft-jobs-to-be-done grows exponentially. Out of sight, in cupboards and drawers around the house, more scraps and old clothes and odd bits of this and that gather than I ever thought possible. I knew I had a few projects lined up, but with my push to use every craft material for the purpose I had bought it for earlier this year, I thought I was quite on top of it all. In a way, I was. Every single piece of fabric or skein of wool has been sewn or knitted into its intended product. But what I’m left with are the remnants and the lame ducks of the crafting world: worn sheets, crumpled scraps of fabric and outgrown and stained clothes.

Now, I know that I could send some of this off with the rag and bone man to be rewoven into shoddy, but I genuinely want to make these things. So last week I gathered everything together into one tremendous heap on the dining room table and went through it all, sorting it into projects as I went. There’s the end of the fleeces I was given last summer to spin up. Three old white sheets to dye. Lots of snippets of fabric to trim into useable sizes for the three quilts I have lined up. Wadding for each one – two threadbare blankets and Seb’s sorry-looking eiderdown. A stack of granny squares which just need sewing together into a dolly blanket to set aside as a gift. Two pieces of fabric large enough to make a sunhat for our holiday in Greece. Some linen and some embroidery silk to turn into two more labels. The list goes on.

Literally nothing in the pile was new. Nothing had been bought (or given to me, with the exception of the fleeces) for a particular project. But it seemed such a waste to throw it all away when I could see all the potential in it. So I made a list of each and every project I had in mind, and made myself a kit for each.

In some cases, this was easy. The linen and thread went together with my hoop and needle: done. The fleece was already washed and sorted. But all that scrap fabric needed trimming, with sheets and scraps being divided between three different patchwork tops. And those old clothes? Well, they needed the collars and cuffs chopping off before they could even be cut up into strips. Seb, whose room the finished product was intended for, was keen to begin, and he and Ben and I made reasonably short work of turning a heap of old clothes into a basket of fabric yarn.

The simple act of preparing the materials has made them so much more appealing. By the time the yarn was made, everyone wanted to have a go at plaiting it. It’s trickier than it looks, because the balls have a way of making a sort of inverse plait beneath the real, intended one, but you find ways of dealing with this pretty quickly. Seb did a little bit – a yard or so – and I did the rest in two long evenings with John and the wireless for company. An hour of stitching round in spirals and the rag rug which had been waiting for well over a year was done. It’s by the reading chair in Seb’s new bedroom, and he’s nominated it the place to sit on the floor when he’s playing with his soldiers. Cheery and bright and completely recycled, we all rather like it.

Next up is that dolly blanket, and then the embroidery I think. And all the while, whenever I feel like it, I’ve been chopping away at that fabric, and building three kits for quilts. I keep thinking about how much fun it’s going to be, sewing it all together. And about how simple it is, to turn something cumbersome into something new and inspiring. The dining room table is in a state of flux, there are measurements and sketches building up in my little notebook, but I’m amazed at how quickly I’m whipping through these projects. In a whirlwind, in fact.

Bound

What a lazy Sunday – not at all the sort I would expect in May. A morning spent knitting a quick and chunky snood in peacock hues, ends woven in and blocked by lunchtime: the fruits of one of my very first attempts at spinning. A spot more spinning while it soaked. And then an afternoon in front of the fire, hand sewing the back of the binding onto Ilse’s quilt while outside continued windy and cold and grey and someone else took care of the supper.

The pace of crafting in this house tells me that it isn’t quite as warm as it ought to be, for May, and we would like a little more sunshine, please. We are still wearing our coats when we go into the garden, only shedding them once this task or that has warmed us up. Mrs. Drummer and I went for an evening of knitting in the pub on Saturday and there was no chance of our sitting outside. She finished a lovely moss stitch scarf and I cast on for my snood, and it didn’t feel unseasonable at all. Very pleasant, in fact, if somewhat oddly autumnal.

So, rather than spending hours in the garden and just enough to keep the quilt ticking over, my time is being spent the other way around, and I don’t think it’ll take me until the end of May after all. There’s been a change of plan, too, which will speed things along just as soon as I unpick what I’ve already done. Having quilted nine of the sixty-three white squares I don’t like the effect at all. They break up the chain effect and make the pattern revert to one of nine-patches and white blocks. Instead, the centre square of each nine-patch will be quilted, emphasising the intersections between the horizontal and vertical rows of diamonds – much more in keeping with the trompe l’oeil. There’s no need to stick slavishly to an original plan and anyway, it’s a good excuse to unpick those wobbly first lines of quilting stitches.

Hopefully it won’t be done by the end of May because that will mean that the weather has turned gorgeously warm and bright and I’ve been unable to resist the charms of the great outdoors. It won’t matter anyway, because Ilse will be far too hot at night to want such a thick and heavy quilt draped over her. But if things stay the same I shan’t mind too much, having something warm and interesting to look at spread over my lap as I stitch.  Either way, it’s bound to by finished by autumn.

What I did in the holidays

My list, made on the last day of the old term, mainly involved the garden. There was so much weeding to be done that I divided it over eight days, adding some planting or potting on to add interest, and, with a little help from everyone in the house, we did it. Fliss and I sowed dozens of seeds. John lifted a lot of edging that the nettles had got under, threatening to overrun my patch, and relaid them with a thick layer of cardboard underneath. Ben mowed the lawn, twice, and spread compost on all the beds. Seb and Ilse started a herbal remedies company, the main ingredients of which appeared to be nettles and dandelion roots, so I gave them couple of trowels and lots of encouragement. Perhaps best of all was when I came in from the garden last Tuesday, dirty and tired, to find that my very favourite dining establishment, Cafe Magnifico, was open for business. There were bluebells on each plate and Easter chocolates for dessert, and although the two charming proprietresses looked familiar they assured me we’d never met before. It stayed open that whole second week when John was back at work and I was pushing myself to get through my list, serving luncheon every day and even taking care of the washing up.

My only other real goal was to finish my cardigan in time for Easter which I did – in plenty of time and on Shell Island, in fact. I cast on for a pair of socks and got as far as turning the heel, knitting in the evenings. As it was all going so well I added some more to the list: to wash the fleece and a half that had been languishing in the shed since autumn, and to piece all eighty nine-patch squares for Ilse’s quilt. I did both, and what began as a session where Ilse and I laid out the squares on Sunday afternoon became a game for the whole family, moving things around, swapping one square with another to spread the colours out more evenly. I could – perhaps should – have retained more control of it, but it is just a little girl’s quilt after all, and they had so much fun. I glanced at it briefly once they were all in bed and it looked all right to me, so it’s all packed up in that order, ready to be sewn together this week.

When people ask what we did in the holidays I tell them we went camping in Wales, which we did, and we had a lovely time. There were day trips too, and lots of lazy days in the house and garden for the children, reading books and making potions. We had a glorious Easter lunch with Mother and Father, and Mother outdid herself once more, producing a simnel cake when we had just about recovered from the previous three courses. And there was time for resting in the sunshine by day, and by the fire in the evenings.

Yet Easter always feels like a turning point, however early or late it falls, and this is the holiday in which I end up doing most. Now that term is back in swing, it feels good to have new projects and new rhythms on the go. More time in the garden. The end of a quilt top within sight. Daily spinning while the supper cooks. If I hadn’t worked so hard during the holidays none of this would be possible. And it isn’t work, really – not if you choose to do it. It’s just another type of play. So that’s what I did in my holidays. I played, hard.

At the mill

It was on a rainy afternoon in Wales that I picked up a leaflet for Trefriw Woollen Mill and suggested – half jokingly – that we go and have a look around their factory. This was met with some moans and groans and, although I thought it would be interesting, I didn’t think we’d actually end up going. But John pointed out that it was very nearly on our way home and so we took a little detour north before heading back over the border and goodness me, I’m glad we did.

I didn’t even take my camera in with me, that’s how little I was expecting. We looked around their shop which was full of the most beautiful woollen goods: skirts and jackets, jumpers, slippers, hats and mittens, knitting patterns and balls of wool. What really caught my eye was the display of tweed, woven on the premises and available by the metre, and it took some stern words with myself to walk away. You’re allowed to wander through the little cafe into the factory beyond, and the very first thing we found was a traditional Welsh bedspread being woven on a beast of a machine, roaring and clanking as the fabric grew, weft by coloured weft. Ilse didn’t like it much and Seb lost interest fairly quickly but Ben and Fliss were almost as transfixed as I. The loom is set up with a chain which tells the machine which shuttles to send across when, creating the traditional patterns. At the same time, the man operating the machinery was winding new bobbins on an old bit of kit which seemed to work in almost exactly the same way as the bobbin winder on my 1916 Singer. In the room beyond was the little hydraulic electricity plant which drove the whole factory, filled with plants from all over the world which liked the warm, damp conditions.

I thought that was it, until John pointed to some iron stairs leading to the floors above. The first – the whole first floor – was given over to carding the wool. Huge cages of the stuff, ready scoured and spilling out through gaps in the wire, was picked up by the steel needles of the first drum. From there it worked its way along the whole floor, drum to drum, until at the end of it all there was roving, thinner than I’d seen before, and quite ready to spin. We followed the painted arrows up again to the second floor where spinning mules dominated the space, doing in a minute what it would take me many hours to achieve at home.

I’ve never actually seen a spinning mule in real life before. I’d seen pictures of them at school, when we were studying the Industrial Revolution, but to see them in action was quite breathtaking, and not only for the wool enthusiasts among us. It took only one man to operate a full row of them, spinning perhaps two hundred strands at a time, the roving stretched out for a yard or two as the spools ran backwards on iron rails set in the floor. Then the spinning began, the roving oscillating and dancing in tiny standing waves as it grew more and more taut until the gears changed and the bobbins ran back towards the body of the mules once more, winding up the spun wool as they ran.

No wonder the cottage spinners went out of business. No-one could possibly hope to keep up with production on this scale: not with the carders or the spinners, nor the looms, nor even the machines which twisted the spun yarns together into two-plys for knitting. And yet this wasn’t modern machinery. This was old-style industry, run by water and producing high quality, skilfully made products. This was a mill which was embracing the past – just not as far back in the past as most home spinners and weavers go. On our way out we found a little dyers’ garden, with all the native herbs and flowers labelled by name and by the colour they would produce. We recognised several from our own garden and the hedgerows roundabout. I’ve never been that interested in dyeing my own wool, but Seb and Ilse leapt at the idea and keep asking to borrow my drop spindle. Perhaps we have a couple more wool-lovers in the family after all. Perhaps they’ll forget about it when they go back to school. Either way, I pulled a few handfuls of white wool off one of the Jacob’s fleeces in the shed and set it to scour in a bucket of hot water. Either they’ll use it or I will. I’ve run out of washed wool this week. It was almost the first thing I reached for when we got back from Wales: to make a few rolags and spin them on my wheel. For the first time, I felt reasonably pleased with the results, despite the fact that I’ve barely spun a thing all winter. Now I’ve got a plan for all the wool I’m making, and there’ll be a few more bucketfuls set to soak before the week is out. I don’t mind sharing if it fuels the children’s interest. Even it it’s on nothing like the scale we saw at Trefriw Mill, there’s plenty of wool for us all to play with.

Bit by bit

What are we doing tomorrow? is often the last question of the day, asked over the banisters on the way up to bed. I had wondered if the younger ones were beginning to get fed up with pottering around the house. Fortunately, ‘tomorrow’ was a day with definite errands, activities and an outing built in. Well, I need to go the the greengrocer and the butcher, and then I thought we might make some gingerbread, and then we’re going to visit your great-grandmother for tea. A look of slight concern passed over Seb’s face. Will we have some time at home? I’ve got so much more to do for Christmas.

Bit by bit, everything is coming together. As far as I’m concerned, only my favourite parts remain: wrapping the children’s presents in front of the fire one evening with John; Christmas Eve in the kitchen, making custard and stewed cabbage and pigs in blankets. Laying first the marzipan and then the icing over the rich fruit cake, and deciding how to finish it this year. Boiling the ham and baking dauphinois potatoes for a meal so rich that only something green and frugal can sit beside it: the cabbagey tops of the sprouts I’ve grown especially. Laying out the stockings at the ends of beds and, finally, trying to sleep so that Father Christmas might arrive.

In the meantime, other important preparations are being taken care of by our household team of elves. There’s a snowstorm on the kitchen windows, and paper chains dangle from every permissible angle. The gingerbread we baked was duly tasted, decorated and tasted again. The pile of homemade cards and little presents is growing, day by day. I’ve a secret slot booked in the kitchen with Ilse. And although they are itching to bring in the holly and the ivy and festoon every picture frame in the place,  that and the tree must wait until Christmas Eve, when everyone needs something to channel their excitement into.

Which left me free to dust off my spinning wheel last night and turn a pile of rolags into yarn. While I did, I thought about all the things I’m going to make in that quiet week between Christmas and New Year, and the walks we’re going to go on, and the people we’re going to see. And then I thought: what are we doing tomorrow? and realised that the answer was: nothing, especially. Well, how lovely is that? I think I’ll do a spot of wintry gardening, and then maybe add a bit to Ilse’s quilt. This is just the sort of holiday I needed: calm and quiet, while the children busy themselves with Christmas fun. I wish you the sort of holidays that you need, too, whatever those might be. Have a very happy Christmas, everyone.

Wool in the house

Oh, how lovely it is to have wool in the house again. After the fair my basket is full, and another season’s knitting can begin. There’s not a moment’s hesitation over patterns or sizes or gauge: all that was worked out a while ago, and all that remains is to decide which project to begin with.

Last year’s fair was all about fairisle. I thought it was just me, but I’m sure there was less of it this time around. There were still pockets of it, including a stall with the sweetest little bunny jumper that I might just have to make for Ilse, even though she’s getting a cardigan too. There were lots of tiny baby knits, so small that I couldn’t quite remember my own children being that size, and adult ones in undyed shades of greys and browns and duns. In fact, it was the undyed yarns that Mother and I liked best, and we walked from stall to stall just looking and admiring. One sold nothing but natural white wool, and standing there there seemed no need for any other colour, until I turned around and saw the rainbow displays behind me.

However, it is Ben and Ilse’s turn to have new knits this year, and so I shopped with their choices in mind. Ilse, who had come with us, chose a royal blue-purple aran for her cardigan, and some painted wooden buttons to match, whereas I picked out a sea-green blue for my boy who suits pastels so well. John has no need for a new knit, and I’ve decided to rip out a cream aran sweater of mine and reknit it in a brand new pattern. Three jumpers is about right for a winter’s knitting, and I am eager to get started.

There was another colour that came home with me, despite all my expectations. Ada brought my spinning wheel over last week, all serviced and ready to work, and I needed to dive in. There are two Jacob’s fleeces waiting to be washed and carded and spun: enough to keep me spinning for a long while, I expect. But I wanted something simpler to get going with: something clean and combed and ready. I walked past stall after stall of roving in white and black and every shade that sheep are in between, meaning to come back and make my choice. And then, chatting to a spinner, I fell for her roving in the most glorious peacock blues. She gave me much encouragement and so as soon as we were home and the chicken was in the oven, I sat down at my wheel for the very first time and tried to spin. It’s very wonky, of course, this yarn that I’m producing, but such a gorgeous colour that I know I’ll overlook the thick bits and the bits with too much twist. I got a little better as I went on, and had another go today, trying to remember what I was taught in my lesson a month ago. Pull forward with the left hand, not back with the right. Move the yarn along the hooks to spread it along the bobbin. And, most importantly of all, stick to a pedal an inch.

I have no idea what I’m going to make from the yarn that this becomes. It might even lie in my basket until the spring, when the little knits begin again. It doesn’t really matter. What matters is that I’m spinning, and having fun, and have even put the first bit of raw fleece to soak. Soon it’ll be ready for carding, and by the time I finish with the peacock roving I’ll have little rolags of Jacob’s fleece to make into a yarn of sorts. Who knows? Maybe one day I’ll have spun an even enough wool to knit my own fairisle jumper in the whites and caramels and chocolate browns of these lovely sheep. Right now, I’m just enjoying having a house full of wool again.