All this wool

I had grand plans, this spring, of spinning up all of last year’s fleeces before the new ones were even shorn. Needless to say, that didn’t happen, but I came closer than ever before. It’s such a learning curve, this spinning hobby of mine. The first two fleeces I was given – lovely piebald Jacobs’ – took me a full two years to work through. Last year I was given three more: two Scotch mules and a huge sack of what turned out to be alpaca. So when I found myself with half a fleece still to process when offered this year’s shearings, I wasn’t too downcast. I think I’m making good progress.

Progress is a good thing, as I’ve been offered several fleeces this year. Two are from my aunt who lives outside Edinburgh and has all sorts of rescue animals, including Ilse’s favourite goat. My sister Meg has eight sheep now, and I was offered four of their fleeces (four are this year’s lambs’, and will keep their fleeces against the coming winter). Two were absolutely enormous, with more than a year’s growth, and, to be entirely honest, more than I could handle. The other two were beautiful Shetlands, one mottled grey and one brown, or moorit, as I’m learning to call it. They are so small and light in comparison to the last three fleeces I’ve had that I made short work of washing and drying them in the good weather of last week.

Since those first two fleeces, which came from a commercial meat farm and which I washed, section by section in buckets of hot soapy water, I’ve adopted a far less intensive approach. Given than all my fleeces now come from either my sister or my aunt, both of whom care for their sheep with minimal (if any) use of chemicals, I much prefer to soak them in a bathful of cold water for a day or two, changing the water once or twice. The amount of dirt that drops out of them is extraordinary, but more importantly the suint (sweat) washes away, leaving a sweetly sheepy smelling fleece with ample lanolin for easy spinning. Then I pop them in an old pillowcase, spin them in the machine, and spread them first outside then finally inside on one of our airers to make sure they are completely dry before putting them back into the (washed) pillowcase with a couple of lavender bags for storage. I can’t tell you how much labour this has saved, and how much more I enjoy carding and spinning a fleece while it is still a little greasy.

I also used to process each fleece bit by bit, picking and carding and spinning and setting each couple of skeins before moving onto the next, but I don’t do that any more, either. Instead, I wait for a fine day and spend it sitting in the garden, picking the washed fleece open and discarding any bits of vegetation or nubbly second cuts. Most of the dirt falls out at this point, and I’d rather it fell outside. If the weather is kind, I card outside too (you should have seen the clouds of dust that came from the alpaca – no way was I carding that in our house). And I save the spinning for rainy days, with a film or an audiobook and one or two of the children for company, playing alongside with their own projects.

I’ve also learned a lot about spinning this year, moving on from carding and worsted-spinning everything (I made a cardigan so sturdy that it can almost stand up by itself) to combing for socks, chain-plying for strength, and spinning long-draw for jumpers and hats and mittens. Not only does long-draw spinning result in the softest, loftiest, cosiest yarn, but it’s fast. Or at least as fast as any (sheep) back to (human) back jumper can be described as such, which is probably very slow in non-spinners’ eyes.

Finally, I set the twist and give it a proper wash at the same time with a bit of eco-friendly delicates liquid, before labelling it and, usually, knitting with it immediately. I’ve made quite a bit from my own yarn this year: two pairs of socks (one woolen and one worsted, to experiment) a pair of sturdy (ahem) colour work mittens for my aunt, a surprise for another aunt (more of which in a later post), the softest, warmest and most beautiful Georgetown cardigan for myself, a cardigan for Ilse, and am halfway through a jumper for myself or Fliss from this last fleece. I plan to spin up the final rolags today and take all the wool on our last holiday of the summer to finish it off.

Ilse in particular has been fascinated by the possibilities of dyeing, and has just finished carding a basket of rolags from fleece that we kettle-dyed in the spring. I’ve promised her that I’ll spin that too, before our holiday, so that she can bring her crochet with her. There’s a big bag of avocado pits and skins in the freezer, just waiting for a spare white skein, and I can’t wait to try dyeing with elderberries for a pillowy purple-grey cloud. I suspect these coloured skeins – and any others that we make – will end up as colour work in something or other, against some plain white fleece.

Not all leftovers are dyed, though. When I didn’t know what to do with my first, inconsistent spins, I started crocheting a hydrangea blanket, which has turned out to be wide enough for a double bed and serves as a record, of sorts, of my spinning ventures. There’s a bit of everything in it: wool and alpaca, DK and aran, wobbly adventures in long-draw and neat inchworm chain-ply. One day, in about a million years, it’ll actually be long enough for a bed, too. So that’s where all the leftovers will continue to go: into a blanket that probably looks lovely to no-one but me but which tells the story of all this wool.

Waterlog

Each time of year has its antidote. In the dull damp cold of January it is whisperings of spring, of gardens awakening. In October it is tales of cosiness to come, with cold toes and shortened evenings pushed firmly to the margins. In July, it is water, and nature, and calm.

This time of year inevitably builds to a frenzy, with end of year assemblies, visit days to new schools, sports days, school plays, music concerts, holiday planning, and social visits that somehow didn’t happen earlier in the year. People are coming and going from the house at all sorts of strange times, for the day, or a night, or a couple of weeks in France. There are invitations to field and fit, like temporal tetras, into the family calendar. On top of that, I’ve been working full time, coupling my days at work with my own project at home – the beginnings of my business and rebirth of this blog – so that the usual rhythms of July days at home have been reassigned to the busy hours which bookend my working days.

While my days at home are spent writing and drafting paper sewing patterns, I’ve saved my knitting for the evenings. After a day bent over the dining table, measuring and drawing and doing sums, it is a joy to sit on the sofa in the kitchen and watch the chickens make their evening rounds while I add a few rows to my design. In all, I’m pulling together five sewing, four knitting and one embroidery project together for my first pattern collection. The idea is that I’ll release one a month, and support each with video tutorials, link ups and FAQs. This first year of projects is designed to help new sewers and knitters build both a capsule wardrobe and a repertoire of key skills at the same time, so that they can make clothes which are both achievable and beautiful.

Of course, the simpler something is, the more work goes into making it so. The little cast on of green is the beginning of a doll-sized shawl, one fifth the size of the actual design. I had started the real thing before deciding to test my pattern in a smaller format, to save time in case it didn’t turn out as I wanted it to – it’s going to be a crescent shawl with exceptionally simple shaping, and I’ve not seen one like it before. Should it work – and I think it will – the practice shawl will be a gift for Ilse, to wrap around her toy kitty.

Now that I’ve calculated the arcs and angles and figured out my gauge, I’ll have the pleasure of knitting through this little shawl over the next few evenings, Wimbledon on in the background, until it’s time for bed. But the tireder I get, the harder it is to sleep. I find this every year in July: there is so much to think about and do, so many decisions to make and hot stuffy days at work that it is hard to put my mind at rest. I have a little repertoire of antidotes, for this. The pre-sleep knitting helps, even if it’s just a few rows. This weekend I will bring in the lavender, which I’ll hang from our wooden ceiling airers and we will all drop off the moment our heads hit our pillows, lulled by its soporific scent. Most effective of all, though, is reading.

I always read before I go to sleep, but the book I find myself returning to again and again in these tricky July days is Roger Deakin’s Waterlog. I don’t know how many times I’ve read it; I tend to dip in and out of it, paddling randomly in and out of his outdoor swimming journey around Britain. There is something immensely soothing about nature writing. Reading it is like going home, or being hugged, or perhaps it is simply the literary equivalent of a long walk through green fields. Simple tales about what is both extraordinary and what has always been: training a hawk; courting hares; wild swimming through Britain’s landscape. These are the books that I fall asleep in, their cool waters closing over my head until I am a water baby myself, dreaming of clean skin and cool pastures.

When I opened this book, last week, I found a feather inside, bookmarking the middle of a chapter. I must have broken off, halfway through a bathe in its refreshing pages. I picked another and started to read, until sweet sleep overtook me and before I knew it, a new day had dawned.

Madeleine

Joining in with Ginny’s Yarn Along at Small Things

PS – What is July normally like, for you? I suspect that it varies tremendously, depending on whether you have children and whether they are still waiting to break up for the summer holidays.

Craeft

I went to see Alex Langlands speak about his new book, Craeft, as part of York’s Festival of Ideas. John booked my free ticket as a surprise, knowing my abiding love for Tales from the Green Valley, the predecessor of the BBC Victorian Farm series. (Actually, John appeared as an expert in one episode of Wartime Farm, which is a source of much pleasure and not a little envy to me…)

The talk began with an investigation of the word craeft, which Alex explained is more to do with power than skill. In a pre-industrial, pre-consumer age, this makes sense. To engage in craeft is to exert power: over the landscape, raw materials, the very climate itself. Craeft is a transformative power in its own right, but also requires our physicality, our vitality, to drive the process. In turn, both the skills of the craftsperson and the products that ensue result in yet more power, further shaping the landscape, both agricultural and political.

Having listened to Alex speak about making use of the world around him, sourcing free materials from the landscape and squeezing his passion for craeft into his spare time, I was surprised by some of the questions people asked. Don’t you think, asked one member of the audience, that to engage in craeft presupposes a certain level of privilege, in terms of time and money? And although Alex dealt with this well, it was a recurring theme.

Once home, I raised this with John. For me, craeft is the opposite of consumption. I keep a list of the things I buy for projects, and it is ludicrously short. The odd ball of wool, when I know I can’t spin to that specification. Two or three lengths of Liberty lawn, a much savoured part of a trip to London. Thread. Always thread. The odd packet of seeds, although I save and swap as many as I can. The vast majority of what I make with comes completely free, either as a gift, salvaged from other people’s cast offs, or gathered from the natural world. Once people know that you make things, they send all sorts your way. I have my entire family saving old shirts and keeping their avocado pits in the freezer. Last week my aunt texted me to say that she had two freshly shorn fleeces ready and waiting. Another aunt, Fiona, taught me to make baskets one rainy afternoon in Derry. But it comes from further afield than family. There are guilds of craftspeople desperate to share their expertise. My spinning wheel, which I think must date from the 1960s, was a gift from a woman I’d never met, who wanted to pass it on to someone who would use it. Craeft in public and people will stop to share tips with you. And when I do spend money, I spend it on high quality materials and tools that will last and last. All my patchwork is done on a 1916 Singer, bought from the charity shop down the road for £20. Not only does it sew smooth and straight, but it is quiet and beautiful and easily repaired. To see craeft as consumption is, I think, to miss the point.

It is the difference between spinning from prepared, dyed top, and being given a slightly stinky fleece in a old feed sack, dags and all. In the first case, you can choose your method of spinning. With a raw fleece, though, you get to make all the choices. How aggressively are you prepared to skirt it? Are you going to scour it, cold soak it or spin it in the grease? Will you blend the fibres from across the fleece or spin each section separately, to preserve their distinct qualities? Should you card it or comb it? Spin woolen or worsted? How and when might you dye it? Both are examples of spinning, yet one clearly involves more power, more control.

The other issue is that of time. It wasn’t until we had two children and a third on the way that I began to make making a part of my everyday life. At the very point when I had the least time, the act of making became more important than ever. It keeps me sane, having something in my hands. Craeft isn’t something special, kept for days when John takes all the kids out of the way. It is a part of our everyday lives, undertaken while I’m waiting at the dentist, or for the potatoes to come to the boil. And rather than children being a barrier to craeft, they are a reason to engage in it more often. So much of our making is done alongside one another: one project inspires another and another until, in little pockets all over the house and garden, things are being made, and everyone is at peace.

Having said all that, I think that our different attitudes to craeft run deeper that our perspectives on time and money. There was much discussion of lost crafts – of the fear that we are not training people in certain skills so that, in ten years’ time, we may no longer be able to mend clocks or engineer a cricket ball. Yet I think that we are in danger of losing something far more fundamental. It is an issue of phenomenology as much as skill. To be a person who engages in craeft, in the true meaning of the word, is to adopt a certain schema. It is to look at the world in a very particular way, one which sees it as something malleable, something both transformative and to be transformed. It is, in short, to have a different sort of relationship with the world. To see the potential in every thing, not just in classes and courses and kits, but in weeds and animals and hedgerows. It is to go for a ramble and bring back not just lungfuls of fresh air, but pockets full of fallen lichen for dye, bits of fluff for lighting fires, a bit of wood to be carved, dogwood to add colour to a basket. To walk not through a picture postcard of a landscape, but a living, creative world.

This is what we are in danger of losing: the zeitgeist that craft is for everyone, by everyone, for the good of everyone. That it is ordinary and everyday. That there is beauty in the simplest of things, well-made and well-loved. And that all you need to get started is the willingness to try.

Madeleine

PS What do you think about craeft? How important is it in your life? How do you think we can best encourage others to participate in its resurgence?

In my hands, by my bed

One of the things that I love about John is his habit of choosing me books. He watches the pile on my bedside table, topping it up when it gets low. Usually it’s a stack from the library, but last week, as a half-term treat, he came home with a brand new one, leaving it by my bed for me to find when we went up.

He knows me well. I go through phases of being fascinated by stuff, the objects that we surround ourselves with. In my dreams, and in our holiday-going reality, we travel light,  throwing a few essentials into a day sack: a change of clothes, a passport, a bar of soap. The thought of having too much is suffocating, and yet I can see how people find comfort in the things which surround them. We all do; we’d be lying if we claimed otherwise.

The Life of Stuff is a family memoir, probing the generations through the things they loved and the hoard they left behind. Its lays out a pattern of family tragedy which repeats itself through the generations, and the author’s determination to change things, to be different. It left me wondering whether my own relative lack of interest in stuff comes from the fact that we moved a lot when I was growing up. Home is where the family is, regardless of continent or climate or whether the container with our chattels has arrived.

The stuff I love is functional: quilts and clothes, trowels and teacups. The things I make are always about keeping us warm, fed and comfortable. They are made, they are used, they fall apart. New things take their place.

I wore my favourite white jumper into oblivion last winter, and so a new one is on my needles. The pattern is one I’m developing for release this autumn, comfortable and warm and easy to throw on. And although my tester will be making it from commercial yarn, mine is knit from my own yarn, raised by my aunt, sheared by my cousin, spun soft and light and woolen by me. That’s the sort of story the things in my family tend to tell. Well made, well loved, and, one day, well worn. The stuff of comfort.

Joining in with Ginny’s Yarn Along at Small Things

Madeleine

PS – If anyone fancies reading The Life of Stuff once John and I have finished, drop me a line and I’ll send it your way. UK readers only, I’m afraid, because, well, postage.

PPS – Thank you all so much for coming back, subscribing and reading again after my long hiatus. It really does mean an awful lot to me. Your ‘welcome back’ comments had me smiling for days.

Please would you be kind enough to resubscribe?

During my break from this blog, I’ve had so much fun dreaming up all the things I want to do with it. Cecily’s voice, for a start, is something that I’d like to keep alive. One day, I’d like to draw my favourite posts together into an ebook, if only for me to read when I’m old. And yet I also want to express myself as a modern woman: someone with an education, a career, a family, and choices. I want to talk about all the places we go and things that we do – that we simply wouldn’t have been able to do in 1932. I’d also like to link up to or talk about other people’s blogs that bring me so much pleasure, and the inspirational attitudes and achievements they portray.

In short, I’d like the blog to be a place where I can express the many different aspects of who I am. A place where I can publish a short story that I’ve written, or just muse about daily life. I want to talk about the modern flute music that I’ve been learning, or about spinning alpaca fibres, or choosing patterns from Ravelry. I also want to start sharing some of my own patterns – some for free, some for sale – which will mean writing about them sometimes.

As I suspect you know, GDPR comes into force tomorrow. I’m by no means an expert, but it’s a set of regulations intended to protect individuals’ data. Because I would one day like to try selling some of my sewing and knitting patterns through this blog, it makes sense for me to make sure that my mailing list complies with these regulations from the off. That means that I need everyone on my list to have actively clicked through a couple of steps to confirm that they really do want to be on my mailing list. You’ll notice that there’s a new paragraph in the ‘Join our community’ box – this is there so that you know what you are signing up for. There will be a second email coming out today, asking you to resubscribe. I’ll have to delete my previous mailing list this evening. I hope you don’t find this all too off-putting; as I say, it is just to ensure that I comply with regulations from the start. I promise I’ll stop bombarding you with emails and get back to normal from tomorrow!

With all the official stuff said, can I say that I am practically hopping with excitement to start sharing my designs with you? I love to teach, and this first set of patterns is designed with people who are new to garment-making in mind. Given the number of people who have commented on my hand-made wardrobe and said that they’d never know where to begin, I thought that I could help. And now that means complying with GDPR, even if you are reading this from outside the EU.

I hope that this doesn’t scare you off. I have no intention of the blog becoming a hollow marketing ploy. I just want to share what I’m making, and see if there’s any sort of future in it.

In the meantime, there’s a spot reserved for me just in front of my spring flowerpots. The met office has promised sunshine for later today, and so I’ll take my knitting out there, with Wuthering Heights on the radio for company. Before that, though, there’s the hoovering to do, and a post to dream up while I do so, about Ben’s first flight into the big world this year. Fledgling, I think I’ll call it, and add a photo of the quilt I made for him to take. He’s heading home for the summer next week, and the medium-sized cousins are coming to stay. It’s going to be a houseful. I can’t wait.

Bound

What a lazy Sunday – not at all the sort I would expect in May. A morning spent knitting a quick and chunky snood in peacock hues, ends woven in and blocked by lunchtime: the fruits of one of my very first attempts at spinning. A spot more spinning while it soaked. And then an afternoon in front of the fire, hand sewing the back of the binding onto Ilse’s quilt while outside continued windy and cold and grey and someone else took care of the supper.

The pace of crafting in this house tells me that it isn’t quite as warm as it ought to be, for May, and we would like a little more sunshine, please. We are still wearing our coats when we go into the garden, only shedding them once this task or that has warmed us up. Mrs. Drummer and I went for an evening of knitting in the pub on Saturday and there was no chance of our sitting outside. She finished a lovely moss stitch scarf and I cast on for my snood, and it didn’t feel unseasonable at all. Very pleasant, in fact, if somewhat oddly autumnal.

So, rather than spending hours in the garden and just enough to keep the quilt ticking over, my time is being spent the other way around, and I don’t think it’ll take me until the end of May after all. There’s been a change of plan, too, which will speed things along just as soon as I unpick what I’ve already done. Having quilted nine of the sixty-three white squares I don’t like the effect at all. They break up the chain effect and make the pattern revert to one of nine-patches and white blocks. Instead, the centre square of each nine-patch will be quilted, emphasising the intersections between the horizontal and vertical rows of diamonds – much more in keeping with the trompe l’oeil. There’s no need to stick slavishly to an original plan and anyway, it’s a good excuse to unpick those wobbly first lines of quilting stitches.

Hopefully it won’t be done by the end of May because that will mean that the weather has turned gorgeously warm and bright and I’ve been unable to resist the charms of the great outdoors. It won’t matter anyway, because Ilse will be far too hot at night to want such a thick and heavy quilt draped over her. But if things stay the same I shan’t mind too much, having something warm and interesting to look at spread over my lap as I stitch.  Either way, it’s bound to by finished by autumn.

What I did in the holidays

My list, made on the last day of the old term, mainly involved the garden. There was so much weeding to be done that I divided it over eight days, adding some planting or potting on to add interest, and, with a little help from everyone in the house, we did it. Fliss and I sowed dozens of seeds. John lifted a lot of edging that the nettles had got under, threatening to overrun my patch, and relaid them with a thick layer of cardboard underneath. Ben mowed the lawn, twice, and spread compost on all the beds. Seb and Ilse started a herbal remedies company, the main ingredients of which appeared to be nettles and dandelion roots, so I gave them couple of trowels and lots of encouragement. Perhaps best of all was when I came in from the garden last Tuesday, dirty and tired, to find that my very favourite dining establishment, Cafe Magnifico, was open for business. There were bluebells on each plate and Easter chocolates for dessert, and although the two charming proprietresses looked familiar they assured me we’d never met before. It stayed open that whole second week when John was back at work and I was pushing myself to get through my list, serving luncheon every day and even taking care of the washing up.

My only other real goal was to finish my cardigan in time for Easter which I did – in plenty of time and on Shell Island, in fact. I cast on for a pair of socks and got as far as turning the heel, knitting in the evenings. As it was all going so well I added some more to the list: to wash the fleece and a half that had been languishing in the shed since autumn, and to piece all eighty nine-patch squares for Ilse’s quilt. I did both, and what began as a session where Ilse and I laid out the squares on Sunday afternoon became a game for the whole family, moving things around, swapping one square with another to spread the colours out more evenly. I could – perhaps should – have retained more control of it, but it is just a little girl’s quilt after all, and they had so much fun. I glanced at it briefly once they were all in bed and it looked all right to me, so it’s all packed up in that order, ready to be sewn together this week.

When people ask what we did in the holidays I tell them we went camping in Wales, which we did, and we had a lovely time. There were day trips too, and lots of lazy days in the house and garden for the children, reading books and making potions. We had a glorious Easter lunch with Mother and Father, and Mother outdid herself once more, producing a simnel cake when we had just about recovered from the previous three courses. And there was time for resting in the sunshine by day, and by the fire in the evenings.

Yet Easter always feels like a turning point, however early or late it falls, and this is the holiday in which I end up doing most. Now that term is back in swing, it feels good to have new projects and new rhythms on the go. More time in the garden. The end of a quilt top within sight. Daily spinning while the supper cooks. If I hadn’t worked so hard during the holidays none of this would be possible. And it isn’t work, really – not if you choose to do it. It’s just another type of play. So that’s what I did in my holidays. I played, hard.

Lenten promises

Each year, partway through Lent, someone tells me what they’ve given up and I am struck by what a good idea it is, and how I should like to try that the following spring. This year it was moaning – no little moans or groans of quibbles about inconsequential things for a full forty days – much more inspiring than giving up chocolate or biscuits or, as in my own case, alcohol. Next year, perhaps, although I’m making an effort now, too. There’s no need to stick to just one promise.

Nor is there any need for Lent to be about giving anything up, either. It can, and really should, be about adding something good to your life. Daily prayer, for those of us who have yet to make a habit of this. Going out of your way, each day, to do something kind for someone else. Giving money or time to charitable causes. Smiling at strangers. It’s easy, really, to think of so many things to do which would enhance your relationships, both human and divine.

It’s been a very stressful time here, recently. There are pressures and frustrations in my life, just now. Add to that the inevitable worries and clashes that every parent faces, and the backdrop of so much political anxiety and strain, and it feels as though some days are nothing but a struggle to get from dawn to dusk. And yet, far worse things happen: this I know. There are many more good things in my life than bad. I know, deep down, that if this is all I have to face then I am lucky. Without really making a conscious decision, counting my blessings has become my lenten promise.

I doubt it will surprise you that, in counting blessings, I am helped by counting stitches. I spent all of Saturday knitting while John did the shopping and made tea and took the children to their ballet lessons. I added another few inches to my spring cardigan, and settled on its design. The leafy lace pattern is not my own, but comes from a book I bought a couple of years ago. It has such a lovely blend of geometry and nature, like the sunburst gates which are all the rage just now, or the art nouveaux of my childhood, or even the William Morris curtains in our two front rooms. It is wild and ordered, restless and peaceful, living and still.

The pattern itself is twenty rows long: ten to form one set of leaves and then another ten, offset, to form the next. I spread the finished portion of it on my knee on Saturday morning to admire all eleven inches of it before decreasing for the shoulders, and saw that I had made a mistake, setting two lines of leaves one above the other a full six inches back. I blame knitting in the dark as the most likely culprit: it doesn’t work with lace. I very nearly groaned. And then I thought, oh well, more knitting to enjoy, and ripped it out at once. It only took one day to get me back to where I’d been, one day of John giving me his time, one day of happy children doing their own things, one day of counting stitches and paying attention to rows. I like this sort of knitting, in Lent. The sort that fills your head – not completely, mind you, but just enough to keep the other thoughts from crowding in, and by the end of it I felt more awake and full of cheer than I did in the morning.

So I’ve made one more Lenten promise, but this one is just to myself. I’d like to keep working on this above any other project, and finish it by Easter. That’ll mean a lot more counting stitches, a lot more checking rows, a lot more finding pleasure in something simple and easy and small. And all those little things add to something bigger: a cardigan for Easter Day, yes, but also a calm and happy me, which has got to be good for everyone around me.

Just socks

After all those hours, those evenings and mornings and snatched half hours in the afternoon, I finally cast off and sewed in the ends to find… just a pair of socks.

It’s an awful lot of effort for something which will be hidden on my feet, tucked away inside boots or slippers or wellingtons most of the time. And although the pattern is deceptively simple, they’re still not quite as simple as a pair of toe up socks, with simple short row toes and heels. These socks sport a lovely, wavy pattern reminiscent of the Seine (and our own, closer-to-home Ouse). They have a thick and padded eye of partridge heel, and a double cast off at the toe. There’s a nice bit of shaping as the heel narrows into the foot, with a neat row of slanting stitches standing proud of the rest. And yet they’re not a cardigan or a hat or even a little snood. No, they’re just socks.

I’ve knit three such pairs of socks this winter: one for Mother and two for myself, as well as a pair last summer. There will be more this coming summer as I use up all the odds and ends in a stripy pair or two. To be honest, there’s still an untouched skein of yarn in the bottom of my wool basket. But for now, that’s where it’s going to stay. Because for someone who doesn’t like making the same thing more than once, even with variations, three is a lot of pairs in a row. I’m moving onto something new, as soon as I’ve sketched out the pattern. A proper winter knit, to keep me busy until spring.

There will be more socks in my future, that much is certain. I always tire of them before they’re done, and have to force myself on through the last few inches. But then I wake up on a chilly winter’s morning and pull on a pair and it’s the nicest start to my day. All those little details – the heel and the pattern and the colour of the yarn – make a functional piece of clothing a little bit of luxury. They might just be socks, but oh! What a treat.

Oh so tiny

You’d think I’d be a dab hand at guessing the scale of baby clothes by now, but it seems that I’ve forgotten quite how tiny babies are. It took me two attempts to get this started, and in the end I had the trust the measurements on the pattern and adjust my gauge accordingly. But it was a pleasure from start to finish, knitting this little number. And once underway, it fairly flew off my needles at a rate that my own children’s knitwear no longer does. Five inches per arm, I tell you. Even Ilse’s latest cardigan feels enormous in comparison.

Quite apart from the speed, though,  I wanted to make a present for a friend as she sets out on her own adventures in motherhood. A little something to keep her firstborn warm through February and March, and into April too. You see, lovely Mrs Eve is expecting an arrival any day now, and we are all very excited. It’s one thing, knitting or sewing a garment and imagining all the expeditions and discoveries a child might make in it. But knitting for a yet-to-arrive baby? Well, they could turn out to be anyone, and perform any number of ordinary and extraordinary feats.

Still, knowing Mr and Mrs Eve, I felt confident that this little cardigan would suit. Cosy round the neck, with snug cuffs and an I’m just off to the library air, I hope he or she will like it. More than that though, and much, much more importantly, I hope all goes smoothly with the little one’s arrival. I’m so looking forward to meeting Mrs-Eve-the-mummy, with an oh so tiny baby in her arms.