Fliss’ cardigan has been cast off and crocheted, the steek cut and button bands knitted on. I left it on the chair in her bedroom, having sewn on the last button as she slept. She held me in its woollen arms, next morning, and whispered thank-yous in my ear.
Fliss is my shy, thoughtful, imaginative girl. She lives half in this world and half in some other, make-believe realm. She’s my war baby, born in 1916, the child I wanted only to keep safe and close to my heart. When I was having her I was afraid of so many things: zeppelins and their bombs, food and fuel shortages, and, most of all, losing John. Other women, of my age and younger, were entering the factories and fields. The war opened their eyes and their worlds. They were fearless and pioneering. As a married mother, my own world closed in around me.
Once John had joined up, I went home to live with Mother and Father, accompanied by two year old Ben and the knowledge of Fliss. Looking back, it seems as though Mother and I sat across the fire from one another every evening for three years, knitting. We didn’t, of course. We visited friends, went to the odd concert, and laughed at the antics of the newly all-female amateur dramatics society. But what I remember most is the knitting. Bootees and balaclavas, layettes and extra layers for Fliss and for John, for my brother Pete and for other, nameless, soldiers. Cream and khaki, khaki and cream, keeping them safe the only way we could. I would have knitted charms into those garments, if I could.
Once she was born Fliss turned out to be a quiet baby, as long as I was nearby. Her brother Ben was always off, as soon as he could toddle, launching himself into the world. Not Fliss. She would lie on her blanket for hours, playing with her hands and following me with her dark eyes. As she grew I got used to suddenly finding her by me, slipping her paw into mine, sliding into my lap.
I took Fliss, Seb and Ilse into York yesterday, to buy their winter shoes. Seb and I strolled behind: he is spilling over with plans for our conker expedition. Ilse bounced ahead beside Fliss, hanging off her patient hand. It has been a mild autumn so far, not yet cold enough for coats. Instead the air is damp and grey and thick with muffled mists. Fliss’ foxgloves shone back at me through the murk, clear and bright, free of the shadows of hedgerows and old fears. She glanced over her shoulder, once or twice, to check that I was near, but found a place for she and Ilse to sit, alone, on the busy tram. She is pulling away, as she should. But however far she goes from me I will always be able to sense her, unexpected and quiet, surprising us with flashes of her fantastical beauty.— October 29, 1930