In the end, it flew straight off my lap and onto her bed, with her already in it, too excited to sleep. I’d promised it for Sunday evening and sewed all that afternoon, square after little square, until the chicken was ready and we sat down to eat together. There were six more still to go. Get ready for bed, I told her, and I’ll tuck you up in it while you sleep. But six small squares don’t take long, and her eyes were still open when I carried it up to her room.
I have been waiting, throughout the making of this quilt, for those squares to turn into diamonds. I kept thinking that it would happen at the next stage of the process: when the top came flying together, when it was bound, or when I started to quilt it. But they never came. All I could see were patchwork squares, old bits of this and that salvaged from summers past. Blouses and shirts, frocks and flimsy cotton skirts, old sheeting worn out in the middle, a woollen blanket of my grandad’s. Snippets of new fabrics, and remnants from dressmaking projects. Lovely things in their own right, worn and faded and soft. But not diamonds. Never diamonds.
Until, that is, I had tucked it around her and kissed her goodnight and was tiptoeing out of the room. I looked back for one last sleep tight and there they were: a whole grid of diamonds, criss-crossing one another in their abundance. A quilt full of them. A few steps away, a new perspective, and there they were. Diamonds for a little girl, soft and floral and warm.— June 8, 1932