Can you remember how old you were when you first read Jane Eyre? I can. I was ten, and my grandad had given me a set of all three Bronte classics for Christmas just a fortnight earlier. Fliss has read it, of course, and Ilse knows it from a wireless adaptation, and I’m sure Ben must have read it though he claims no recollection. Seb was the least thrilled when I announced that our half term day out was to be at Haworth, visiting the village and the moors but, most importantly of all, the Bronte Parsonage.
It’s hard not to think of it as a sad house, especially as the first death, that of their mother, occurred very soon after moving in. Then were the deaths of the two eldest children, both girls, both of tuberculosis contracted at school. Then later, the deaths of Branwell, Emily and Anne, and finally Charlotte, a few years later, the longest lived of all the children, aged only 38. Imagine, to have all six children and your wife to survive childbirth and infancy only to lose them all, one by one, until you were alone again. No wonder the house feels sad.
And yet there must have been a lot of fun in it, between times. There was an awful lot of life to be lived between each of those deaths, and you can’t help but come away with a sense that those girls made the very most of what they had. Their home is bursting with their sketches, embroidery, tiny childhood manuscripts, family newsletters and the like. It is a house full of industrious play – the sort of play that Emily and Anne and Charlotte never really grew out of, channelling it into their novels instead.
They played on the moors, too, just a short walk out of the village, and when we visited it was the hottest day of the year so far and everything was blooming. Fliss even complained of the lack of bleakness. Everywhere were flowers: buttercups, umbellifers, rhododendrons and forget-me-nots. We sat on a great slab of stone and looked out over it all, from the vibrant moor to the blasted hillsides and the grey stone village nesting in between, and had to be quiet so that Ilse could be inspired. She’s started a new novel: The Return of Wuthering Heights. I think there are a lot of ghosts in it, because later that night she came into our room with a nightmare, too scared to go back to sleep in the dark. There were fingers scratching at her window, even after I assured her that it was only Humbug the hamster’s squeaky wheel.
And now our copies of those novels are off the shelf and to be found on beds and garden benches. There are lots of discussions about which is everyone’s favourite, and why. It’s Wuthering Heights for me, in case you’re curious. Because of the sympathy between people and place, and the blurring of lines between the past and the present, the dead and the living. It embodies everything I think I know about the Brontes, and the lives they lead, and the place they came from. In fact, they are so strongly associated with Haworth and the moors above it that its new name seems entirely appropriate, and not a mere anachronism: Bronte country.— June 6, 1932